1. First, click on the Advanced tab to load a preset for your material. It is recommended to always select the preset, even if you know the speed and power settings needed as the preset may load other settings that can impact performance and functionality.
2. In the list on the right-hand side, find the material that you are using.
3. Select it and click Load.
4. After loading the proper preset, click General to return to the main tab where you can adjust the settings.
Once you've loaded the material preset, you can adjust settings as you need. If it is your first time using the material, you should start with the presets and only make minor adjustments until you find a setting that works safely. Do not adjust the speed or power by more than 10% each time.
Tip: Bring in extra material so you can run multiple tests to determine the best settings.
While there are a lot of settings, most jobs only require changing a few - usually speed, power, and piece size.
Section 1: Resolution
Resolution is measured in dots-per-inch, much like a typical paper printer. DPI can range from 75-1200, and can result in significant differences in image quality. It is also important to note that the higher the DPI, the longer the runtime. E.g. a 1200 DPI setting will take twice as long as a 600 DPI setting for the same image. This only applies to raster images, as vector lines do not have a resolution in the traditional sense.
Tip 1: The machine can up-scale an image, but only to a certain degree. Most images are made at between 72 and 300 DPI. Setting one of these images to 600 DPI will result in significantly better quality than if it was engraved at its native resolution, however you will probably not notice an improvement between 600 and 1200 DPI. Therefore, unless your image was made at 1200 DPI, it will most likely be a waste of time to run it higher than 600 DPI.
Tip 2: If a vector line is too thick, the software will convert it to a raster image and engrave it. The threshold for "too thick" varies and is determined by the DPI setting. Therefore, it is recommended that any vector line that should be cut has the minimum thickness possible (0.025mm in Inkscape and .001pt in Illustrator).
Section 2: Job Type
The software used to layout the images (Inkscape or Adobe Illustrator) can support both raster and vector images, and the machines can handle both types of jobs simultaneously. However, for the best results, it is often necessary to run jobs multiple times and the number of times you will want to raster will often be different than the number of times to cut. You can layout both types of files in the software and then tell it to only do the rastering, and then simply resend the job with only the vector data without having to making any adjustments to either the layout or the power/speed settings. If left on combined, the machine will do a single pass for all rastering and then a single pass for all vector cutting.
Tip 1: If either Raster or Vector is selected, the other type of data is ignored. It will not raster the vector lines if Raster is selected, for example.
Tip 2: It is considered a best practice to complete all rastering before doing any cutting. This is because, while the cuts are extremely narrow, it is theoretically possible for a cut out piece to shift around if rastering is done after the cutting.
Section 3: Raster Setting
Section 4: Options
Section 5: Piece Size (inches)
The piece size must be specified here, and it must match the size of the Workspace/Artboard. If the numbers do not match, the engravings/cuts will not line up properly. Also note that while the layout programs can work in a variety of measurement units, you must specify it in inches here.
After you have set and double-checked your settings, press OK to return to the layout software's print dialog.
Section 6: Vector Setting
The most common settings to adjust are the speed, power, DPI, and the number of passes. Each one will have a different impact on how the project turns out.
Because the maximum wattage, speed, and age of the lasers varies between the lasers, settings are not compatible across locations. If a project is done at one location, the settings will have to be adjusted for the new location. Unfortunately there is no simple algorithm to convert the settings, so trial and error is necessary.
The recommended settings for a variety of materials is provided by Epilog, and is available here, in the manuals, and on Epilog's website. Please see the appropriate tab for your location.
Materials vary greatly, and neither PPLD nor Epilog can guarantee that any recommended setting or preset will work properly and will not damage the material. It is recommended that tests be done on scrap material.
75 watt Epilog Helix Suggested Material Settings | ||
Material | DPI/Freq. | Speed & Power |
Acrylic | ||
Photo Engraving | 300 DPI | 90s 40p |
Text/Clipart Engraving | 300 DPI | 90s 60p |
Text/Clipart Engraving | 600 DPI | 90s 55p |
Cutting 1/8” (3 mm) | 5000 f | 25s 100p |
Cutting 1/4” (6 mm) | 5000 f | 15s 100p |
Cutting 3/8” (9.5 mm) | 5000 f | 5s 100p |
Cutting Note: Adjusting the standard focus distance so it is closer to the lens by about .030” (.762 mm) will produce better edge quality on 1/4” acrylic and thicker. Two passes may produce better results and allow for cutting through thicker materials. There are two types of acrylic: cast is better for engraving (creates a frosted look when engraved) and extruded acrylics are better for smooth-edged cutting. | ||
Alumamark | ||
Engraving | 300 DPI | 90s 20p |
Engraving | 600 DPI | 90s 10p |
Anodized Aluminum | ||
Photos/Clipart | 300 DPI | 90s 35p |
Photos/Clipart | 600 DPI | 90s 30p |
Text | 600 DPI | 90s 40p |
We find when engraving anodized aluminum, text appears best at 600 DPI, but photos and clipart can be engraved with great detail down to 300 DPI. | ||
Cork | ||
Engraving | 300 DPI | 90s 30p |
Cutting | 500 f | 25s 30p |
Cotton | ||
Engraving | 300 DPI | 90s 10p |
Denim | ||
Engraving | 300 DPI | 90s 15p |
Fleece | ||
Engraving | 150 DPI | 90s 15p |
Cutting | 2500 f | 25s 5p |
When engraving fabric, try changing the graphic to 80% gray and use the Jarvis dithering pattern for the best results. Every fabric you are cutting will need to have adjusted settings - find a small swatch of the fabric you can test first. | ||
Glass | ||
Engraving | 300 DPI | 35s 100p |
When etching glass, try changing the graphic to 80% gray before engraving and using the Jarvis dithering pattern. You can also diffuse heat by covering the glass with a thin sheet of dish soap. | ||
Leather | ||
Photo Engraving | 300 DPI | 90s 20p |
Text/Clipart Engraving | 600 DPI | 90s 30p |
Cutting 1/8” (3 mm) | 500 f | 30s 60p |
Mat Board | ||
Engraving | 400 DPI | 70s 60p |
Cutting | 500 f | 20s 30p |
Bottom-up engraving is suggested for mat board etching. | ||
Marble | ||
Photo Engraving | 300 DPI | 90s 35p |
Text Engraving | 600 DPI | 90s 45p |
Every marble is very different for settings. Start low and increase the power with a second run if you haven’t used that marble before. | ||
Painted Brass | ||
Engraving | 300 DPI | 90s 25p |
Engraving | 600 DPI | 90s 20p |
Plastics | ||
Engraving | 300 DPI | 90s 20p |
These settings work well with many plastics, including plastic phones and covers. Even one color plastics can achieve a great look when engraved. | ||
Plastic (2 Layer Engraveable) | ||
Engraving | 300 DPI | 90s 60p |
Engraving | 600 DPI | 90s 50p |
Cutting 1/8” (3 mm) | 5000 f | 30s 70p |
Rubber Stamps | ||
Engraving | 400 DPI | 50s 100p |
Engraving | 600 DPI | 60s 100p |
Cutting | 100 f | 40s 100p |
Stainless Steel w/Cermark | ||
Engraving | 600 DPI | 45s 100p |
Twill | ||
Cutting | 2500 f | 50s 25p |
Wood | ||
Photo Engraving | 600 DPI | 60s 100p |
Clipart/Text Engraving | 600 DPI | 50s 100p |
Clipart/Text Engraving | 300 DPI | 45s 100p |
Deep Engraving | 600 DPI | 30s 100p |
Thin Veneer | 500 f | 30s 9p |
Cutting 1/8” (3 mm) | 500 f | 45s 100p |
Cutting 1/4” (6 mm) | 500 f | 25s 100p |
Cutting 3/8” (9.5 mm) | 500 f | 12s 100p |
When cutting wood, multiple passes may allow cutting of thicker materials. You can readjust the focus between passes down to the center point of the cut for the best results. |
60 watt Epilog Zing Suggested Material Settings | ||
Material | DPI/Freq. | Speed & Power |
Acrylic | ||
Photo Engraving | 500 DPI | 90s 15p |
Text/Clipart Engraving | 400 DPI | 90s 30p |
Text/Clipart Engraving | 500 DPI | 90s 20p |
Cutting 1/8” (3 mm) | 5000 f | 50s 100p |
Cutting 1/4” (6 mm) | 5000 f | 30s 100p |
Cutting Note: Adjusting the standard focus distance so it is closer to the lens by about .030” (.762 mm) will produce better edge quality on 1/4” acrylic and thicker. Two passes may produce better results and allow for cutting through thicker materials. There are two types of acrylic: cast is better for engraving (creates a frosted look when engraved) and extruded acrylics are better for smooth-edged cutting. | ||
Alumamark | ||
Engraving | 400 DPI | 90s 35p |
Engraving | 500 DPI | 90s 30p |
Anodized Aluminum | ||
Photos/Clipart | 400 DPI | 90s 35p |
Photos/Clipart | 500 DPI | 90s 25p |
Text | 500 DPI | 90s 30p |
We find when engraving anodized aluminum, text appears best at 500 DPI, but photos and clipart can be engraved with great detail down to 400 DPI. | ||
Cork | ||
Engraving | 400 DPI | 90s 15p |
Cutting | 500 f | 60s 20p |
Cotton | ||
Engraving | 250 DPI | 90s 10p |
Denim | ||
Engraving | 250 DPI | 90s 15p |
Fleece | ||
Engraving | 200 DPI | 90s 15p |
Cutting | 2500 f | 40s 5p |
When engraving fabric, try changing the graphic to 80% gray and use the Jarvis dithering pattern for the best results. Every fabric you are cutting will need to have adjusted settings - find a small swatch of the fabric you can test first. | ||
Glass | ||
Engraving | 400 DPI | 35s 100p |
When etching glass, try changing the graphic to 80% gray before engraving and using the Jarvis dithering pattern. You can also diffuse heat by covering the glass with a thin sheet of dish soap. | ||
Leather | ||
Photo Engraving | 400 DPI | 90s 20p |
Text/Clipart Engraving | 500 DPI | 90s 25p |
Cutting 1/8” (3 mm) | 500 f | 80s 50p |
Mat Board | ||
Engraving | 400 DPI | 90s 40p |
Cutting | 500 f | 30s 30p |
Bottom-up engraving is suggested for mat board etching. | ||
Marble | ||
Photo Engraving | 400 DPI | 90s 40p |
Text Engraving | 500 DPI | 90s 50p |
Every marble is very different for settings. Start low and increase the power with a second run if you haven’t used that marble before. | ||
Painted Brass | ||
Engraving | 400 DPI | 90s 50p |
Engraving | 500 DPI | 90s 45p |
Plastics | ||
Engraving | 400 DPI | 90s 25p |
These settings work well with many plastics, including plastic phones and covers. Even one color plastics can achieve a great look when engraved. | ||
Plastic (2 Layer Engraveable) | ||
Engraving | 400 DPI | 80s 100p |
Engraving | 500 DPI | 90s 100p |
Cutting 1/8” (3 mm) | 5000 f | 90s 30p |
Rubber Stamps | ||
Engraving | 400 DPI | 40s 100p |
Engraving | 500 DPI | 50s 100p |
Cutting | 100 f | 25s 100p |
Stainless Steel w/Cermark | ||
Engraving | 500 DPI | 35s 100p |
Twill | ||
Cutting | 2500 f | 60s 15p |
Wood | ||
Photo Engraving | 500 DPI | 95s 100p |
Clipart/Text Engraving | 400 DPI | 80s 100p |
Clipart/Text Engraving | 500 DPI | 90s 100p |
Deep Engraving | 500 DPI | 50s 100p |
Thin Veneer | 500 f | 30s 12p |
Cutting 1/8” (3 mm) | 500 f | 70s 25p |
Cutting 1/4” (6 mm) | 500 f | 50s 100p |
When cutting wood, multiple passes may allow cutting of thicker materials. You can readjust the focus between passes down to the center point of the cut for the best results. |
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