What are the differences between websites and library databases?
1. Generally, websites and library databases both can contain:
NOTE: Researchers should take the time to verify research results by checking several other reliable sources before using it or acting on it. (See more about how to determine what types of sources are credible at PPLD's LibGuide on Finding Good Information here.)
2. Library databases do not generally use natural language to search, but use specialized wording and symbols. One of the benefits of using library databases is that they give more precise results than websites or web searches, which may include duplicate or irrelevant results.
3. In addition, library databases contain content that is sometimes only available by paying for it. The library pays for access to that information on behalf of the community it serves.
4. Online web searches often do use natural language, but the results may not be exactly what a researcher is looking for.
5. The order of an online result list is also often based on the priorities of the companies who offer the search (usually at no out-of-pocket cost), rather than the priorities of the researcher.
For a more detailed discussion of researching best practices, see PPLD's LibGuide on Information and Media Literacy here.
Available as an eAudiobook for checkout through Libby/OverDrive
Widely believed to be the most extreme incidence of white racial violence against African Americans in modern United States history, the 1921 Tulsa Race Massacre resulted in the destruction of over one thousand black-owned businesses and homes as well as the murder of between fifty and three hundred black residents. Exhaustively researched and critically acclaimed, Death in a Promised Land is the definitive account of the Tulsa race riot and its aftermath, in which much of the history of the destruction and violence was covered up. It is the compelling story of racial ideologies, southwestern politics, incendiary journalism, and an embattled black community's struggle to hold onto its land and freedom. More than just the chronicle of one of the nation's most devastating racial pogroms, this critically acclaimed study of American race relations is, above all, a gripping story of terror and lawlessness and of courage, heroism, and human perseverance.
Available as an eBook for checkout through Libby/OverDrive and (as featured here) as a print book for checkout
Sarah and Angelina Grimke--the Grimke sisters--are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.
That the Grimke sisters had Black relatives in the first place was a consequence of slavery's most horrific reality. Sarah and Angelina's older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers' trials and exploits in the North, where Archibald and Francis became prominent members of the post-Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis's wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald's daughter, Angelina Weld Grimke, who channeled the family's past into pathbreaking modernist literature during the Harlem Renaissance.
In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental--an emblem of the limits of progressive white racial politics.
A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy--both traumatic and generative--of those myths, which reverberate to this day.
Available as a DVD videorecording for checkout
Many descendants of enslaved people have little record of their family's ancestry. Follow one family's quest to discover their lost history and see how science and genealogy can help rebuild a family tree broken by slavery. Join filmmaker Byron Hurt at his extended family reunion as they celebrate the joy of family in the African diaspora and discover new details of their history that they thought were lost forever.
Available as a print book for checkout
As time passes, personal memories of the Great Depression die with those who lived through the desperate 1930s. In the absence of firsthand knowledge, John Steinbeck's The Grapes of Wrath and the photographs produced for the New Deal's Farm Security Administration (FSA) now provide most of the images that come to mind when we think of the 1930s. That novel and those photographs, as this book shows, share a history. Fully exploring this complex connection for the first time, Picturing Migrants offers new insight into Steinbeck's novel and the FSA's photography--and into the circumstances that have made them enduring icons of the Depression.
Looking at the work of Dorothea Lange, Horace Bristol, Arthur Rothstein, and Russell Lee, it is easy to imagine that these images came straight out of the pages of The Grapes of Wrath. This should be no surprise, James R. Swensen tells us, because Steinbeck explicitly turned to photographs of the period to create his visceral narrative of hope and loss among Okie migrants in search of a better life in California. When the novel became an instant best seller upon its release in April 1939, some dismissed its imagery as pure fantasy. Lee knew better and traveled to Oklahoma for proof. The documentary pictures he produced are nothing short of a photographic illustration of the hard lives and desperate reality that Steinbeck so vividly portrayed. In Picturing Migrants, Swensen sets these lesser-known images alongside the more familiar work of Lange and others, giving us a clearer understanding of the FSA's work to publicize the plight of the migrant in the wake of the novel and John Ford's award-winning film adaptation.
A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation.
Available as an eBook and eAudiobook for checkout through Libby/OverDrive and (as featured here) as a print book for checkout
The received idea of Native American history has been that it essentially ended with the 1890 Massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear--and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence--the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention.
Available as a print book for checkout, as a CD recording for checkout, and (as featured here) as an eBook and an eAudiobook for checkout through Libby/OverDrive
In this landmark account, renowned historian Barbara W. Tuchman re-creates the first month of World War I: thirty days in the summer of 1914 that determined the course of the conflict, the century, and ultimately our present world. Beginning with the funeral of Edward VII, Tuchman traces each step that led to the inevitable clash. And inevitable it was, with all sides plotting their war for a generation. Dizzyingly comprehensive and spectacularly portrayed with her famous talent for evoking the characters of the war's key players, Tuchman's magnum opus is a classic for the ages.
Available as an eBook and an eAudiobook for checkout through Libby/OverDrive, and (as featured here) as a print book for checkout
From a historian and senior editor at Atlas Obscura, a fascinating account of the daring nineteenth-century women who moved to South Dakota to divorce their husbands and start living on their own terms.
For a woman traveling without her husband in the late nineteenth century, there was only one reason to take the train all the way to Sioux Falls, South Dakota, one sure to garner disapproval from fellow passengers. On the American frontier, the new state offered a tempting freedom often difficult to obtain elsewhere: divorce.
With the laxest divorce laws in the country, five railroad lines, and the finest hotel for hundreds of miles, the small city became the unexpected headquarters for unhappy spouses--infamous around the world as The Divorce Colony. These society divorcees put Sioux Falls at the center of a heated national debate over the future of American marriage. As clashes mounted in the country's gossip columns, church halls, courtrooms and even the White House, the women caught in the crosshairs in Sioux Falls geared up for a fight they didn't go looking for, a fight that was the only path to their freedom.
In The Divorce Colony, writer and historian April White unveils the incredible social, political, and personal dramas that unfolded in Sioux Falls and reverberated around the country through the stories of four very different women: Maggie De Stuers, a descendent of the influential New York Astors whose divorce captivated the world; Mary Nevins Blaine, a daughter-in-law to a presidential hopeful with a vendetta against her meddling mother-in-law; Blanche Molineux, an aspiring actress escaping a husband she believed to be a murderer; and Flora Bigelow Dodge, a vivacious woman determined, against all odds, to obtain a "dignified" divorce.
Entertaining, enlightening, and utterly feminist, The Divorce Colony is a rich, deeply researched tapestry of social history and human drama that reads like a novel. Amidst salacious newspaper headlines, juicy court documents, and high-profile cameos from the era's most well-known players, this story lays bare the journey of the turn-of-the-century socialites who took their lives into their own hands and reshaped the country's attitudes about marriage and divorce.
PPLD Databases
For general history databases, see PPLD's General History Research tab (click here or on the blue General History Research tab at the top of the screen on mobile devices or at the left of the screen on computers).
Recommended Websites
For general history websites, see PPLD's General History Research (click here or on the blue General History Research tab at the top of the screen on mobile devices or at the left of the screen on computers).